Review of Best Australian Poems 2012

Here’s a great review of BAP 2012 – written by Ali Alizadeh for Cordite, where he makes some great points about the collection’s depth and balance – and of course, it’s always nice to have your work appear in an anthology that gets a good review!

He also highlights one of my favourite pieces in the anthology – Robin Wilkinson’s Melbourne colour 1 which just one reason to make this book well worth picking up.


Acceptances, Rejections & Retirements

Inspired by Adam Ford’s witty and honest posts on rejection (see one here), I thought I’d try something similar now (though I’ll combine brief stories of both acceptance and rejection for today). I think what I like best about Adam’s posts is the ‘thinking out loud’ (critically) aspect of the posts, that and the transparency re: the submission process.


But, starting with some great news, in the near future I’ve poems forthcoming in Wet Ink, fourW, Famous Reporter and Best Australian Poems 2012.  The news is especially exciting for me because I’ve never had work placed in three of the publications, and there’s a thrill that always comes from that, in addition to the thrill of an acceptance. I’m also really excited to join a long list of fantastic poets in the BAP series!

Equally pleasing is the news that the piece accepted for Famous Reporter is available to read now – a recent piece based around a moment that struck me in Pompeii. Have a look here if you get the chance.


Most rejections are, if I’m in a good mood, opportunities. They always sting but soon enough I see it as a chance to either rework and resend the piece, or to retire it. Which brings me to a question that I’ve struggled to answer sometimes, how do we know when it’s time to retire a poem? When has it done too many trips, been knocked down too often, how do I know it’s just no good and accept that I need to stop sending it out? Should be easy, right?

Well, yes and no. I once had a poem (rotary) rejected many, many times over the course of two years, but if I’d stopped revising and sending it’d obviously be unpublished today (wish I could revise it just one more time actually!)

Of course, that’s an exception – most poems, if they’ve been rejected by half a dozen publications, begin to look pretty hopeless and I end up retiring them. A good example is political poem called two horse race that I’ve had sent back from GDS and Cordite this year, and I’m looking at it now and asking myself, why do I still try to write politically themed poems – I suck at them! So I’m shelving it and may come back to it in the future – so it’s not quite retired but it’s close enough. Another recent knock back was from Meanjin by the wonderful Judith Beveridge who passed on the sneaking moon (and a couple others) which definitely needed some tightening. Another piece from the batch needed a title change and a major re-write, but I’ll not retire either, as they might find a home yet.

Cordite Creative Commons – The Remixes

Very happy to announce that a poem I remixed has been chosen for inclusion in Issue 33.1 of Cordite Poetry Review!

at exactly 9pm

A massive thanks to everyone in the issue, for obviously, without them I would have had nothing to work with. In fact, it’s interesting that I should claim authorship. Certainly I created the piece, but was I the author? (It’s an issue I want to take up in a mini article soon) I worked in a way that kept the original lines basically intact, I mostly reorganised them, altered some prepositions, maybe even tense, in order to have them fit better. (Which is pretty damn close to the ‘cut-up’ method favoured by the Beats)

Whether that constitutes writing the poem or editing it or something else is an interesting question, so it’s very exciting for me to be in the issue.

But other writers are much more creative when it comes to remixing than I, and took it further, have a look! The issue is packed with a range of remixes, both in style & content.

Cordite – Zombie Renku – Room for Fresh Blood!

The zombie-themed renku has just hit halfway (18 verses to go) and we’ve got room for fresh blood!

So if you’re interested in learning about the amazing renku process of collaborative linked verse, then stumble over and join in! You don’t need to know a lot about renku, and so long as you’re aware of the basics of haiku, you’ll pick this up – it’s all about link and shift!

Here’s the intro/guide to the feature

And here’s the renku as it progresses